Chris Tyle is back in the studio with Retta Christie helping to celebrate the musical life of the late Jim Goodwin on the eve of Jim’s 66th birthday. Tune in and stream the radio show at KBOO.FM

*Update: The playlist from the show ..

Just a Closer Walk With Thee – Muddy River Jazz Band, 1967
Stardust Records lp, out-of-print

Wild Man Blues – Ed Zimbrick’s 10th Avenue Jazz Band, 1968
EJ Records lp, out-of-print

Liza – The Great Excelsior Jazz Band, 1969
ASP Records lp, out-of-print

It Should Be You – New Orleans Jazz Club of Northern California All Stars, 1970
NOJNC Records lp, out-of-print

I’m Wild About That Thing – New Orleans Jazz Club of Northern California All Stars, 1970
NOJNC Records lp, out-of-print

I Never Knew What a Gal Could Do – Dick Oxtot’s Golden Age Jazz Band, 1973
Arhoolie Records lp, out-of-print

Doctor Jazz – Turk Murphy Jazz Band, 1974
Unissued private recording

Doin’ the New Lowdown – Brett Runkle and the Starting from Scratch Jazz Band, 1975
Berkeley Rhythm Records 7″ lp, out-of-print

I’ve Got My Fingers Crossed – Marty Grosz and Berkeley Rhythm, 1976
Jim Goodwin and Friends lp, Berkeley Rhythm Records

A Sailboat in the Moonlight – Mike Duffy’s Second Pacific Film Archives Band, 1978
Jim Goodwin and Friends lp, Berkeley Rhythm Records

You’re a Lucky Guy – Jim Goodwin, piano, 1977
Jim Goodwin and Friends lp, Berkeley Rhythm Records

My Melancholy Baby – Jim Goodwin, cornet; Burt Bales, piano, 1977
Jim Goodwin and Friends lp, Berkeley Rhythm Records

You’ve Changed – Ray Skjelbred’s Yeti Chasers, 1976

Tormented – Berkeley Rhythm, 1978
Unissued private recording at the Great American Music Hall, San Francisco, Ca.

Sheik of Araby – Sunset Music Company, 1979
Blue Swing CD

Angel Eyes – Berkeley Rhythm, 1973
Berkeley Rhythm Vol 1 lp, out-of-print

Dinah – Butch Smith and his Dixieland Band, Palmdale, Ca. Jim Goodwin, Ray Skjelbred, Ham Carson, 1987/1988
Jazz Master lp, out-of-print

There’ Ain’t No Sweet Man – Double Play, Jim Goodwin & Dave Frishberg, 1992
Arbor Records

Musicians say Jim Goodwin taught them how to play music — and how to live.

He was a musician’s musician, largely unknown to the public but legendary among jazz cognoscenti and to those who played with him. His authoritative, stunning cornet leads and spontaneous outpouring of original, appropriate ideas awed other musicians and inspired them to play better.

Photograph by Terri Ohlwein, 1980

His music reflected his soul — he was a gentle person with an oddball, oblique wit; he was brilliant, generous and unerringly true to himself. He was charismatic and immediately charmed everyone he met. Friends stayed friends forever; no one knows of an enemy he ever had.

Jim died April 19 of alcoholism at age 65.

Jim enjoyed a 40-year career as a cornetist.

The outpouring of grief after his death is made more bitter by the realization that such a happy, life-absorbing personality could self-destruct. But most of all, it is grief that his music is silent.

Jim’s music echoed that of Louis Armstrong, Wild Bill Davison, Bix Beiderbecke and Henry “Red” Allen. He was a natural musician who learned to play by ear and never wanted to taint his spontaneity by learning to read music. He could pick up any horn and make it sing. He also was a well-known piano player and earned money playing drums and vibraphone.

Jim wasn’t interested in fame or fortune. He turned down an offer to tour with the Freddy Martin Band, among other offers, and refused to promote himself. He cherished his freedom.

Once he got out of the National Guard, he was never tied down. He often left for Europe with his underwear and toothbrush stuffed in his cornet case and $40 in his pocket. He returned the same way.

Jim never had a backup plan or the stability of a day job, health insurance or any regular source of income. He lived with friends, rented here and there and sometimes, especially when he was young in Europe, slept outdoors.

Still, he lived well. He had a series of cars, including a 1954 Jaguar, a Triumph TR3 and a 1950 English Singer Roadster, that he traded, swapped or adopted out as his cash fluctuated.

Jim was adamant about never owing anybody money and paid back every nickel he ever borrowed. He liked to pick up the tab when he could.

He had an innate sense of style. Aspiring musicians copied his look, a 1970s version of the 1930s, including wool newsboy caps, L.L. Bean duck shoes and thrift store tweed jackets. He was proud of his Northwest lumberjack clothes but also knew cashmere when he saw it.

He was organized; everyplace he lived, everything was orderly and filed away. And every friend has a story about Jim’s humor. Once, he and a fellow musician put their shoes on the wrong feet and, in the middle of a set, splayed their feet in front, never knowing whether anyone noticed. He had long discussions about how to tie shoes. He built mannequins and placed them on his front porch or in a darkened room complete with lit cigar and a glass of wine. They were so realistic that people were often fooled. He once recorded a tape of himself painting a fence — the only sound was an occasional car rolling by.

He and friends started Portland Brewing Co. just as microbrewing took hold. He asked to be bought out early because he didn’t want to be tied down to a business. Instead, for years he played regularly at the company’s Flanders Street Pub with Dave Frishberg.

He was raised in Hillsboro. His father was a stockbroker, and Jim earned money at his firm as a “board boy.” This led him to stockbroker school in New York right out of high school and a brief stint as a stockbroker in Portland. He liked to say that he was the country’s youngest stockbroker and youngest retired stockbroker.

He served in the Oregon National Guard (playing drums and horn), and that took him to Fort Ord, Calif., where he became absorbed into the nearby Bay Area music scene. He played in all the legendary jazz haunts and, for a long time, in the Fairmont Hotel in San Francisco. He played for the Oakland A’s pep band and went with them to three World Series.

Jim was athletic. Besides playing baseball for Hillsboro High School and softball for musicians’ teams for years, he climbed to the summit of Mount Hood several times. He once bicycled and ferried from Holland to London to visit a friend and another time walked from Berkeley to Concord, Calif., for dinner. For years, he took long walks through the forest early every morning. Portland’s Forest Park was a favorite.

He was married once, to a Dutch artist. He later lived with Aretta Christie off and on for 25 years, mostly in Brownsmead. After they separated, she kept him going through the final years of his life.

He was devoted to jazz and knew it upside down and backward. He and Ray Skjelbred played for years at the Bull Valley Inn in Port Costa, Calif., and could play for weeks without repeating a song. Still, Jim loved listening to classical music, particularly Charles Ives, Edvard Grieg and Jean Sibelius. He was clueless about rock.

Most of his life was filled with music and friends. Parties lasted for days without an incident. Jim never used drugs or smoked. He was never known to tell an off-color joke or to use foul language.

But somewhere along the line, he crossed the “point,” as he said. Alcohol was no longer fun but dominated his life. He refused to take care of himself.

He told friends that he didn’t like what drinking was doing to him but that he didn’t want to stop. He refused help to see a dentist, lost a tooth and could no longer play the cornet.

People still ask his musician friends: “What’s going on with Jim?” “Do you hear anything from Jim?” He was, says Skjelbred, everyone’s favorite musician.

Survivors include his many friends around the world.

Joan Harvey

Jim Goodwin – Cornet, Lueder Ohlwein – Banjo & Vocal, Dan Barrett – Trombone, William Carter – Clarinet, Mike Fay – Bass, Jeff Hamilton – Drums

The Sunset Music Company Live in Dusseldorf ’79 is available from Blue Swing.Com.

Since the gallery now houses over 100 photos, I think the time has come to create separate pages for each group of photos, so in the next few days, be on the lookout for a bit of a site redesign. And don’t forget to sign the guestbook while you’re here!

*Edit: New pages have been created for each Gallery!

The Sunset Music Company had just finished another gig during its tour of Germany in 1978. The details for this engagement are hazy, as are so many details of the many gigs we played at that time. I often wish that I’d followed my mother’s sage advice, and kept a diary during those times. When you’re twenty-two years old, and in Europe for the second time in your life, traveling with guys who are all like older brothers, you think these times will go on forever, so why stop to write about it? Just live, and enjoy it, man, and swing out!

So there we were—Jim Goodwin and I—both fairly full of excellent German beer and probably more than a few shots of local schnapps. It could have been Düsseldorf, or Wurzburg, or Heidelberg, or even Nuremberg; we had gigs in all those places–and many others–at jazz clubs that featured traditional jazz. That is, back when there were clubs that featured that seminal form of the music, and back when there were bands that could do it justice. Wherever we were, it was pretty cold. Freezing, in fact.

We somehow made it back to our hotel (taxi? A ride from a jazz fan? Walking for several kilometers under a blue Teutonic moon? Who knows?), and I graciously rushed to open the front door for my hero, Jim Goodwin. He said, “Thanks, Daniel,” as I grasped the long vertical door handle. I pulled, and nearly yanked my arm out of its socket. Locked, and locked tight, man.

“Whoa!” Jim said, and laughed. As I said, we were both more than tipsy.
I tried again, with that faith that too much alcohol can give one. Still no dice.

“Oh, yeah,” Jim said, remembering something. His brows furrowed. “I seem to recall the innkeeper saying they lock the door at eleven p.m.” He looked at his watch, as though we’d just missed curfew. It was four-thirty.

“Oh, great!” I said. “I don’t suppose you have a key?”

Jim shook his head. “I meant to get one before I left, but while I was waiting at the front desk, a big green iguana crawled in and needed some help with his luggage…”

“I see.” I said. “He didn’t happen to be wearing my porkpie hat, did he?” I’d lost a beautiful old porkpie I’d found in your typical German second-hand porkpie shop on the tour, and managed to lose it during one of our gigs. I’d last seen it at one of the clubs we played earlier that week, bobbing off into the crowd on the blonde head of a very attractive young German girl. Sigh.

“No such luck,” Jim replied. “This particular iguana was a Homburg-type. Say!” Jim added brightly. “Maybe there’s a window open around the back!”

We skulked around the side of the hotel, looking suspicious, and watching for anyone who might think we looked suspicious.

“No windows on this side,” I said, just for something to say. I saw my breath in the cold night air. Jim led us around behind the small hotel.

“Hey, look, man!” he whispered. “That basement window is open a bit!”

I looked down, and just above the narrow cement walkway that ran around the hotel’s perimeter was a small rectangular window. It was open a crack.

“I don’t think I’d fit, man, but I bet you can,” Jim said excitedly. This in itself shows you just how long ago all this happened. Me skinnier than Goodwin. Sigh.

“Well…how do I do it?” I asked. Jim seemed much more experienced in these matters.

“Get on the ground on your stomach…yeah, that’s it. OK: I’ve got your ankles…”

With Jim operating me like a large Irish-Serbian divining rod, I wedged my head and shoulders into the window, waving my arms out in front of me. I couldn’t see a thing.

“Hello?” I said, very quietly. I didn’t want to interrupt some kind of German tryst, or encounter a shepherd. Chances were good it would be a German shepherd.

“Hellooo…?” I repeated, somewhat more boldly. “Anyone there? Ich bin eine Amerikaner…”

I heard a faint echo, but nothing else. I wondered what kind of room in a hotel would have an echo. I wondered how you said “breaking and entering” in German.

“I think we’re good, Jim…just hang on to my ankles, and lower me in.”

“All right…careful…easy…there you go…”

I gradually eased forward into pitch blackness as Jim, perhaps a little too enthusiastically, pushed me into the yawning black space.

“Don’t let go!” I said in a stage whisper. “I can’t feel anything! There’s nothing under me!”

I was now more than halfway into the window, and gravity was doing its predictable thing. I was now bent at the waist, with Jim’s hands still clamped around my ankles. I hoped to feel a dresser, or TV set, or anything—a bed would have been perfect—but all I felt were very cold, dry walls. I edged further down the wall; kind of like Spider-Man, trying to use my fingertips to give me some friction on those inexplicably slick, cool walls. I willed my eyes to see, but it was the blackest dark I’d ever encountered.

As my hands crept down the wall, my left hand was suddenly rewarded with a moist squish. Almost immediately, my right hand felt an identical squish. I soon detected a familiar smell., and instantly figured it out. My two hands had landed at the base of two urinals, and I’d just crushed the urinal cakes to a ripe pulp. They can be pretty ripe in older German hotels, too. Just trust me.

I uttered an oath.

“What ‘say?” Jim asked politely.

“It’s OK, James,” I said, in no small disgust. “I’m in the men’s room. You can let go now.”

“Ha, ha,” was Jim’s reply as he let loose of my ankles. To this day, I can imagine his fingers splayed wide, taking a child’s fiendish delight in letting me go. I toppled the rest of the way into the men’s room, and rolled as carefully as I could onto the cold tile floor. My new mission was to keep my hands as far away from anything civilized as possible!

“So, Dan,” Jim said. I turned and looked up to see his head at a right angle, silhouetted in the moonlight. His old tweed newsboy cap was slightly crooked. It had been a tough night, all right.

“Go around to the front door, and let me in” he said.

“OK…but give me a few minutes!”

The silhouette nodded and vanished. Wan moonlight shone into the room (where was it when I needed it?), and I could just make out two old white porcelain sinks across from me. I fled to the nearest one, and turned on the water. I waited forever for it to get hot, holding my diseased hands out in front of me like Dr. Kildare. When the water was finally hot, I intentionally scalded my hands up to my forearms, and scrubbed them with soap as though I was about to perform brain surgery on Louis Armstrong. Or Jim Goodwin.

Finally, when I thought I might be able to eat with those hands some day, I teetered off into the darkness, to find my way to the front door.

Jim was waiting. He was slapping his crossed arms around himself against the cold. I could see his breath as he said, “Man! What took you?”

He wasn’t upset; more concerned about my well-being. I told him about the urinal cakes and the rest. With Jim embellishing my story as I went along, we both began laughing like hyenas. We decided the hotel proprietor wouldn’t blame us if we helped ourselves to a restorative beverage or two after our ordeal. We found the bar through the dark, and Jim pulled us a couple of large drafts.

And yes, we paid for them the next day.

Dan Barrett
Costa Mesa, CA